A simple prompt formula
Shot or angle + camera movement + subject and action + speed or mood
Low-angle medium shot. The camera slowly dollies in as a woman opens an old wooden door, tense cinematic mood.01Framing and camera angles
01Establishing shotStarts wide so the viewer understands the location before focusing on the action.
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Establishing shot of a quiet coastal village at sunrise, fishing boats moving through the harbour, calm cinematic atmosphere.02Extreme wide shotMakes the environment feel huge and the subject feel small.
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Extreme wide shot of a lone hiker crossing a vast desert valley, towering cliffs in the distance.03Wide shotShows the full subject together with plenty of the surrounding scene.
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Wide shot of a dancer performing in an empty train station, full body visible, evening light.04Medium shotFrames a person roughly from the waist up, useful for natural actions and dialogue.
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Medium shot of a chef plating a dish in a busy open kitchen, natural hand movement.05Close-upFills the frame with a face or object to emphasise emotion or detail.
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Close-up of a woman reading a handwritten letter, her expression slowly changing from worry to relief.06Extreme close-upShows one very small detail, such as an eye, fingertip, watch, or water drop.
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Extreme close-up of a raindrop landing on a green leaf, tiny reflections visible inside the drop.07Eye-level shotPlaces the camera at the subject’s eye height for a neutral, natural view.
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Eye-level shot of a barista handing a cup of coffee to the viewer across the counter.08Low-angle shotLooks upward from below, making the subject feel taller, stronger, or more imposing.
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Low-angle shot of a cyclist standing beside her bike on a mountain ridge, clouds moving behind her.09High-angle shotLooks down on the subject, making the scene feel exposed or showing the layout around them.
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High-angle shot of a child searching through a crowded night market, warm lanterns all around.10Bird’s-eye or top-down shotLooks straight down, creating a map-like or graphic view of the scene.
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Top-down bird’s-eye shot of colourful umbrellas moving across a rainy city crossing.11Over-the-shoulder shotLooks past one person’s shoulder toward another person or object, useful for conversations and screens.
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Over-the-shoulder shot of a designer sketching a shoe on a tablet, the screen clearly visible.12POV shotShows the scene from a character’s direct point of view.
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POV shot of someone opening a tent at dawn and seeing a misty mountain lake outside.13Dutch angleTilts the horizon sideways to create tension, imbalance, or unease.
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Dutch-angle shot of a woman running through a flickering underground car park, suspenseful mood.02Camera movement
14Static shotKeeps the camera completely still while the action happens inside the frame.
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Static locked-off shot of a cup of tea steaming beside a rain-covered window, no camera movement.15Pan leftRotates the camera left from a fixed position.
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Slow pan left across a rooftop garden, ending on a woman watering the plants.16Pan rightRotates the camera right from a fixed position.
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Pan right across a crowded food market, following the rising steam from each stall.17Tilt upRotates the camera upward from a fixed position to reveal height or something above.
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Tilt up from muddy hiking boots to reveal a giant waterfall above the traveller.18Tilt downRotates the camera downward from a fixed position to reveal something below.
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Tilt down from a woman’s surprised face to the small gift box in her hands.19Dolly in or push inPhysically moves the camera closer, increasing attention or emotional intensity.
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Slow dolly in toward an old radio as it suddenly switches on by itself, tense atmosphere.20Dolly out or pull backPhysically moves the camera away, revealing more context or making the subject feel isolated.
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Slow dolly out from a man sitting alone at a table, revealing an enormous empty hall around him.21Truck leftMoves the whole camera sideways to the left while keeping its direction mostly level.
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Truck left alongside a runner moving through a neon-lit street at night, smooth motion.22Truck rightMoves the whole camera sideways to the right, often parallel to the subject.
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Truck right beside a vintage car driving slowly along a palm-lined road.23Pedestal upRaises the camera vertically while keeping it level, unlike tilting the lens upward.
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Pedestal up from the base of a flower arrangement to reveal the full wedding table.24Pedestal downLowers the camera vertically while keeping the same viewing direction.
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Pedestal down from a glowing shop sign to the baker unlocking the front door below.25Tracking or follow shotMoves with a subject to keep them framed as they travel through the scene.
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Smooth tracking shot following a woman from behind as she walks through a field of tall grass.26Crane riseSweeps the camera upward, often turning a close view into a dramatic reveal.
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Crane shot starting close behind a cyclist, rising high to reveal the winding mountain road ahead.27Crane downDescends from a high view toward the subject to move from context into detail.
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Crane shot descending from the city skyline to a street musician performing below.28Arc shotMoves around part of the subject in a curved path, usually less than a full circle.
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Smooth 180-degree arc shot around a couple meeting under an umbrella in the rain.29Orbit 360Asks the camera to circle all the way around a subject. This is useful creator shorthand, but models may not complete an exact circle.
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Smooth 360-degree orbit around a red sports car parked on a wet road, reflections moving across the bodywork.30Aerial drone flyoverCreates a high, smooth flying view over a landscape or location.
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Sweeping aerial drone flyover above a tropical island coastline at golden hour.31FPV flythroughMimics the fast, immersive view of a first-person-view drone moving through or around obstacles.
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Fast FPV drone flythrough entering an open warehouse door, weaving between colourful art installations, then exiting through a skylight.32Handheld cameraAdds small natural shakes for a documentary, urgent, or intimate feeling.
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Handheld camera following a journalist through a crowded festival, realistic movement and slight camera shake.33Whip panPans so quickly that the image blurs, useful for energy or a transition between subjects.
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Whip pan from a drummer to the lead singer on stage, fast motion blur, high-energy concert.03Lens, focus, and optical effects
34Zoom inMagnifies the subject by changing the lens, without moving the camera itself.
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Slow zoom in on an antique key lying on a dusty map until the key fills the frame.35Zoom outWidens the view through the lens to reveal more of the surrounding scene.
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Slow zoom out from a birthday candle to reveal a surprise party waiting in the dark room.36Crash zoom or snap zoomZooms very quickly for sudden emphasis or a dramatic reveal.
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Fast crash zoom into the detective’s eyes as she notices a clue across the room.37Dolly zoom or vertigo effectMoves the camera while zooming in the opposite direction, keeping the subject similar in size while the background stretches or compresses.
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Dolly zoom on a man standing at the edge of a cliff, his size stays constant while the valley behind him rapidly expands.38Wide-angle lensShows a broad field of view and can exaggerate the distance between foreground and background.
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Wide-angle lens shot inside a tiny colourful kitchen, the chef close to camera and the whole room visible.39Telephoto lensNarrows the field of view and compresses distance, making the background appear closer to the subject.
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Telephoto lens shot of a cyclist climbing a hill, distant mountains compressed closely behind her.40Macro shotShows a tiny subject or surface detail at very close range.
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Macro shot of coffee droplets forming on freshly ground beans, rich texture and soft morning light.41Fisheye lensCreates an extremely wide, curved view with obvious distortion near the edges.
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Fisheye-lens view from inside a skateboard bowl as a skater passes overhead.42Shallow depth of fieldKeeps the subject sharp while strongly blurring the foreground or background.
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Close-up portrait with very shallow depth of field, the woman’s eyes sharp and city lights behind her turning into soft bokeh.43Deep focusKeeps foreground, middle distance, and background clear at the same time.
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Deep-focus wide shot of a busy workshop, tools in the foreground, workers in the middle, and shelves in the background all sharp.44Rack focusShifts focus during the shot from one subject or distance to another.
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Rack focus from a wedding ring in the foreground to the smiling couple in the background.04Speed, reveals, and creator shorthand
45Slow motionSlows the action so fast movement and small details feel more dramatic.
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Slow-motion shot of a runner splashing through a puddle, individual water droplets suspended in the air.46Time-lapseCompresses a long change into a short shot, such as clouds moving or a room filling up.
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Time-lapse of a city rooftop from sunset to night, clouds racing overhead as windows light up.47Speed rampChanges speed inside one shot, often moving from normal speed to slow motion and back.
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A skateboarder approaches at normal speed, speed ramps into slow motion during the jump, then returns to normal on landing.48Push-through transitionMoves the camera through an object, doorway, window, or dark area to reveal a new space.
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The camera pushes through the open train window and continues smoothly into the mountain landscape outside.49Pull-back revealStarts on a small detail and retreats until the viewer understands the surprising larger scene.
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Start on a close-up of a glowing window, then pull back rapidly to reveal it is one room inside a huge space station.50Earth zoom outA VFX-style creator phrase that asks for a rapid pullback from a person or place to a view of Earth from space. It is not a literal single-camera move, and results vary.
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Begin close on a woman standing in Kuala Lumpur, then rapidly zoom out above the city, through the clouds and atmosphere, ending with Earth floating in space.Quick tips for better results
- Use one main camera move per short clip.
- Add speed words such as slow, gentle, fast, or sudden.
- Say what must stay visible, including the person’s face and clothing.
- Describe the subject’s action separately from the camera’s action.
- If a short phrase gives a strange result, rewrite it as a full sentence.
- Generate a few versions. Motion quality varies between models and generations.
Sources
Checked on 3 October 2026.
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